But the album's romantic moments may be its most striking "Venus as a Boy" fairly swoons with twinkly vibes and lush strings, and Björk's vocals and lyrics - "His wicked sense of humor/Suggests exciting sex" - are sweet and just the slightest bit naughty. Björk's playful energy ignites the dance-pop-like "Big Time Sensuality" and turns the genre on its head with "There's More to Life Than This." Recorded live at the Milk Bar Toilets, it captures the dancefloor's sweaty, claustrophobic groove, but her impish voice gives it an almost alien feel. Though Debut is just as arty as anything she recorded with the Sugarcubes, the album's club-oriented tracks provide an exciting contrast to the rest of the album's delicate atmosphere. "Human Behaviour"'s dramatic percussion provides a perfect showcase for her wide-ranging voice "Aeroplane" casts her as a yearning lover against a lush, exotica-inspired backdrop and the spare, poignant "Anchor Song" uses just her voice and a brass section to capture the loneliness of the sea. With producer Nellee Hooper's help, she moves in an elegantly playful, dance-inspired direction, crafting highly individual, emotional electronic pop songs like the shivery, idealistic "One Day" and the bittersweet "Violently Happy." Despite the album's swift stylistic shifts, each of Debut's tracks are distinctively Björk. Or contributing to our GoFundMe campaign.Freed from the Sugarcubes' confines, Björk takes her voice and creativity to new heights on Debut, her first work after the group's breakup. You can support our work by subscribing to our Patreon Bork worked with Michel Gondry for Human Beahviour, Sophie Muller for Venus as a Boy, Jean-Baptiste Mondino for Violently Happy and Stephane Sednaoui for Big Time Sensuality. The album is also remembered for it’s distinctive music videos. It went on to sell over 4.7 million copies. The album covers several genres including trip-hop, jazz, house, and electronic pop.ījork’s label One Little Indian anticipated that the album might sell 40,000 copies, but within three months of its release over 600,000 coipes had sold. In the lead up to launching her solo career Bjork had provided guest vocals on two tracks for British band 808 State, and she’d developed a growing interest in electronic and house music that was distinctly different from her previous work.įor the album Bjork teamed up with producer Nellee Hooper who had previously worked with Massive Attack, Soul II Soul and Sinead O’Connor. But most people new Bjork as the lead singer of indie band The Sugarcubes who’d released three albums between 19 and scored hits on the alternative charts with Birthday, Coldsweat and Deus. Three years earlier she’d also teamed up with an Icelandic jazz trio to record the Gling-Glo album. Her self-titled album Bjork came out in 1977 and saw an 11-year-old Bjork singing original songs alongside Stevie Wonder and Beatles covers in Icelandic. Like Tina Arena and Alanis Morrissette she’d had a recording career as a child. The groundbreaking record which spawned a string of hits and established Bjork as one of the most innovative and intriguing performers of the 1990’s would go onto sell millions of copies.įour singles were released from the album Human Behaviour, Venus as a Boy, Violently Happy, and Big Time Sensuality. It would score a fifth single when Play Dead, a song created for the film The Young Americans, was added on to later editions of the record.ījork had actually released a previous record in her home country of Iceland. Bjork’s debut album Debut was released on this day 30 years ago.
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